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| Icons |
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The icons have
become synonymous with Russian Art and their origins can be traced back to the Sacred
Panel Paintings of the Byzantine Period. Though icon painting had strict formal rules with
fixed repetitive patterns, the Russian artists of the Orthodox Faith added their own
interpretations of the local Saints and religious history to those of the traditional
Biblical sources.
Despite its dramatic fate at the beginning of the 20th Century, the icon painting
tradition has survived in Russia. Those icons exhibited in the Marvol Museum were created
by the artists of the Icon Painters Association founded in Moscow a few years ago to
revive and develop the heritage of icon painting in Russia.
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A. Kuchinsky
THE VIRGIN OF FEODOROVSK
Icon, tempera, wood, 32 x 26, 1991 |
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| Paintings |
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The majority of the art works
exhibited in the Marvol Museum were created by contemporary Moscow artists who follow the
rich traditions of Russian realism of the 19th Century. This style of painting is known
now to art collectors as Soviet Realism or Russian Impressionism of 30-90th. These
canvases, mainly landscapes, still-life and genre paintings, bare the distinct features of
Russian Nature and ancient architecture, as well as the great variety of Russian
characters, traditions and historical events.
Currently the Marvol Museum is expanding its collection with the paintings by Russian
artists of different modern trends.
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N Solomin
THE PACK
oil, canvas 60 x 100, 1991 |
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| Decorative Art |
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The best examples of the most popular
traditional Russian handcrafts such as Gzhel porcelain and Majolica, Easter eggs painted
in icon-tradition painting tradition and Palekh lacquer miniatures, artistic Matrioshka
dolls and Khokhloma wood painting, Russian embroidery and Zhostovo trays, form a special
part of the Marvol Museum permanent collection. These handicrafts originate from several
small ancient Russian towns located within the vicinity of Moscow. Since the earliest
memories these towns have been the Russian decoraive art centres and the secrets of the
craftmanship have been passed down through generations.
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| GZHEL PORCELAIN |
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| Fabergé
Easter Eggs |
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Fabergé (St.
Pietersburg 1846 - Lasagne 1920) was the son of a French Huguenot extraction. Just the
mention of the name "Fabergé", recalls images of brilliant, glittering
jewellery, the magnificient Imperial Easter eggs made for the Russian Tsars and exquisite
ornaments favoured by Europe's grandest families.
Each of the Fabergé eggs on display at the Marvol Museum is created as
one of a limited edition and originates from the only workmaster in the world licensed
nowadays to produce original jewellery work of art bearing the " Fabergé"
hallmark - Victor Mayer of Pforzheim in Germany. |
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THE EASTER MANDELA EGG #2/10
18ct gold, enamel on guilloché ground,
diamonds, rubies, sapphires, 1997 |
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